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2003
Encore!!
2002
My
Fair Lady 2002
Razzle
Dazzle 2001
Photo
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My
Fair Lady - AIMS First Active Awards Nominations
We
did it! We did it!!. Coolmine Musical Society received 7 nominations
for AIMS Awards. At the AIMS Awards Banquet in the Great Southern Hotel,
Killarney on Saturday 15 June, we won the awards for Best Choreography
and Best Visuals. "My Fair Lady" was runner up for Best Overall
Show. Full details on the AIMS website.
Our nominations were:
| Best
Overall Show |
My
Fair Lady |
| Best
Musical Director |
Aidan
Faughey |
| Best
Female Singer |
Paula
Fay (Eliza) |
| Best
Supporting Male |
Justin
Parkes (Colonel Pickering) |
| Best
Choreography |
Siobhan
McQuillan |
| Best
Technical (Lighting, Sets and Sound) |
My
Fair Lady |
| Best
Visual (Costume, Props, Make-up and Hair) |
My
Fair Lady |
My
Fair Lady - Photos
Coolmine Musical
presented a spectacular production of this classic fairytale musical
in March 2002. The show ran for 6 performances to full houses in Draíocht,
Blanchardstown. Here's a selection of photos from backstage.
| Over
fifty years since it's breath-taking launch on Broadway, Lerner
and Loewe's most successful musical collaboration continues to weave
it's magic.
The story of
Eliza Doolittle's transformation from street seller to society belle holds
an appeal for all ages and the show stopping tunes are familiar to everyone
- "I Could Have Danced All Night", "Wouldn't It Be Loverly?", "With a Little
Bit of Luck" "On The Street Where You Live".... |
"The
horses are leaving the paddock, m.'lady"....Doireann Ní Chaomhanaigh,
Jim Barber and Steven Downey
|
"Wiv'
a little bit of luck..." .Kate Furlong, John Furlong and Emer Morrissey. |
Coolmine
Musical Society followed on last year's award winning production
of "Oliver" with a major production
of one of the world's best loved musicals..
With Paula Fay
as Eliza Doolittle and Tony Finnegan as Professor Henry Higgins,
Director: Vivian
Coates
Musical Director:
Aidan Faughey
Choreographer:
Siobhan McQuillan
Draíocht,
Blanchardstown
Tuesday
5 March to Saturday 9 March 2002 |
| Celebrating
a great run - Paula Fay (Eliza) with CMS chairperson Máire Caffrey
cut the cake. (with special thanks to Jimmy!!) |
 |
.jpg) |
"Poor
Professor Higgins"..The Servants Chorus - Kate Furlong, Ruaidhri
Boland, Deirdre O'Halloran, Donal Steele and Maureen Soitout |
| "Done
him in, you say?"..Joe Murphy (Lord Boxington/ Lord High everything!!)
with Paula Fay (Eliza), Tony Finnegan (Higgins) and Sean McConnell
(Ascot Jockey) |
 |
.jpg) |
"I
can't afford it"... John Furlong (Alfie Doolittle) and Justin
Parkes (Colonel Pickering) |
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|
Cast
and Production Team
|
| Professor
Higgins |
Tony
Finnegan |
| Eliza
Doolittle |
Paula
Fay |
| Colonel
Pickering |
Justin
Parkes |
| Alfred
Doolittle |
John
Furlong |
| Freddy
Eynsfort-Hill |
Darran
Heaney |
| Mrs.
Pearce |
Gladys
Coyle |
| Mrs.
Higgins |
Maria
Hodgins |
| George
the Bartender |
Harry
O'Loughlin |
| Harry |
Ian
McColgan |
| Jamie |
Caesar
Guinto |
| Karpathy |
Anthony
O'Boyle |
| Mrs.
Eynsfort-Hill |
Esther
Gray |
| Mrs.
Hopkins |
Máire
Caffrey |
| Lord
Boxington |
Joe
Murphy |
| Lady
Boxington |
Mary
McConnell |
| Charles
the Chaffeur |
Jim
Barber |
| Servants |
Deirdre
O’Halloran
Martina
Foy
Kate
Furlong
Maureen
Soitout
Máire
Caffrey
Ruaidhrí
Boland |
| Director |
Vivian
Coates |
| Musical
Director |
Aidan
Faughey |
| Choreographer |
Siobhan
McQuillan |
| Chorus
Mistress |
Catriona
Ní Threasaigh |
| Assistant
Director |
Sinead
O'Reilly |
| Set
Design |
John
O'Donoghue |
| Stage
Manager |
Frank
Boland |
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Alan
Jay Lerner and Frederick Loewe
-
the writers of My Fair Lady
The transformation
of Shaws bittersweet comedy into a winning Broadway musical set quite a
challenge for Alan Jay Lerner and Frederick Loewe. On their first attempt
in 1951 perhaps they were unaware that many of the great songwriters of
the time - Noel Coward, Cole Porter and Richard Rodgers - had already turned
down the opportunity. It was on their second attempt three years later
that they succeeded in creating the timeless work, which ran on Broadway
for a record breaking 2,281 performances. Lerner subsequently wrote ...."we
picked it up again and this time we stayed with it to completion...What
was essential was that every song and every addition to the play not violate
the wit and intelligence of Shaw's work."
Alan Jay Lerner
was born in New York in August 1918 and after studies at Harvard and at
the Juillard School of Music, he became a scriptwriter for radio personalities
such as Celeste Holm and Victor Borge. In 1942, his chance meeting with
Loewe at the Lamb Club in New York led to an enduring and successful partnership,
which lasted for two decades.
Frederick Loewe
had tasted success at the early age with his composition "Katrina", a popular
hit in Europe in 1919. Born in Vienna, Loewe was the son of Edmund Loewe,
a well-known tenor. His father encouraged Fredericks piano playing and
at thirteen, Loewe junior began a concert career, which culminated with
the award of the Hollander Medal in Berlin in 1923. The following year,
at the age of twenty, he moved to America, where his musical talents were
not immediately recognised. He worked in a variety of jobs including cowpunching
and mail delivery before taking up work as a piano player in New York clubs.
The early years
of the partnership were not wildly successful but in March 1947, critics
and audiences applauded the hit musical "Brigadoon". Lerner won an Oscar
in 1951 for his work on the story and screenplay of "An American in Paris",
the same year as the duo enjoyed further success with "Paint Your Wagon".
Following the spectacular run for "My Fair Lady" in 1954, Lerner and Loewe
enjoyed multiple Oscar honours in 1958 with the film "Gigi". Effectively,
the curtain came down on their stage show career with the Arthurian fantasy
"Camelot" in 1961. Loewe who had suffered a heart attack in 1958 went into
retirement although Lerner continued to write and collaborate with others
including Andre Previn and Leonard Bernstein. Of his partner Frederick
Loewe, he once wrote..."A collaboration as intense as ours inescapably
had to be complex. But I loved him more than I understood or misunderstood
him and I know he loved me more than he understood or misunderstood me."
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